Tuesday, September 28, 2010

John Keats (1795-1821)

“On First Looking into Chapman’s Homer”

Much have I travelled in the realms of gold,
   And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He stared at the Pacific -and all his men
Looked at each other with a wild surmise -
Silent, upon a peak in Darien.

"When I have fears that I may cease to be"
When I have fears that I may cease to be
   Before my pen has glean'd my teeming brain,
Before high piled books, in charactry,
   Hold like rich garners the full ripen'd grain;
When I behold, upon the night's starr's face,
   Huge cloudy symbols of a high romance,
And think that I may never live to trace
   Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
   That I shall never look upon thee more,
Never have relish in the fairy power
   Of unreflecting love;--then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.

Jan. 1818

“To Homer”

Standing aloof in giant ignorance,
   Of thee I hear and of the Cyclades,
As one who sits ashore and longs perchance
   To visit dolphin-coral in deep seas.
So thou wast blind;--but then the veil was rent,
   For Jove uncurtain'd Heaven to let thee live,
And Neptune made for thee a spumy tent,
   And Pan made sing for thee his forest-hive;
Aye on the shores of darkness there is light,
   And precipices show untrodden green,
There is a budding morrow in midnight,
   There is a triple sight in blindness keen;
Such seeing hadst thou, as it once befel
   To Dian, Queen of Earth, and Heaven, and Hell.

“Ode to a Nightingale”

My heart aches, and a drowsy numbness pains
   My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
   One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
   But being too happy in thine happiness,--
      That thou, light-winged Dryad of the trees
         In some melodious plot
   Of beechen green, and shadows numberless,
      Singest of summer in full-throated ease.

O, for a draught of vintage! that hath been
   Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
   Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
   Full of the true, the blushful Hippocrene,
      With beaded bubbles winking at the brim,
         And purple-stained mouth;
   That I might drink, and leave the world unseen,
      And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
   What thou among the leaves hast never known,
The weariness, the fever, and the fret
   Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
   Where youth grows pale, and spectre-thin, and dies;
      Where but to think is to be full of sorrow
         And leaden-eyed despairs,
   Where Beauty cannot keep her lustrous eyes,
      Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
   Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
   Though the dull brain perplexes and retards:
Already with thee! tender is the night,
   And haply the Queen-Moon is on her throne,
      Cluster'd around by all her starry Fays;
         But here there is no light,
   Save what from heaven is with the breezes blown
      Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
   Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
   Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
   White hawthorn, and the pastoral eglantine;
      Fast fading violets cover'd up in leaves;
         And mid-May's eldest child,
   The coming musk-rose, full of dewy wine,
      The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
   I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
   To take into the air my quiet breath;
Now more than ever seems it rich to die,
   To cease upon the midnight with no pain,
      While thou art pouring forth thy soul abroad
         In such an ecstasy!
   Still wouldst thou sing, and I have ears in vain--
      To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
   No hungry generations tread thee down;
The voice I hear this passing night was heard
   In ancient days by emperor and clown:
Perhaps the self-same song that found a path
   Through the sad heart of Ruth, when, sick for home,
      She stood in tears amid the alien corn;
         The same that oft-times hath
   Charm'd magic casements, opening on the foam
      Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
   To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
   As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
   Past the near meadows, over the still stream,
      Up the hill-side; and now 'tis buried deep
         In the next valley-glades:
   Was it a vision, or a waking dream?
      Fled is that music:--Do I wake or sleep?

“Ode on a Grecian Urn”

Thou still unravished bride of quietness,
   Thou foster child of silence and slow time,
Sylvan historian, who canst thus express
   A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
   Of deities or mortals, or of both,
      In Tempe or the dales of Arcady?
What men or gods are these?  What maidens loath?
   What mad pursuit? What struggle to escape?
      What pipes and timbrels?  What wild ecstasy?

Heard melodies are sweet, but those unheard
   Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
   Pipe to the spirit dities of no tone.
Fair youth, beneath the trees, thou canst not leave
   Thy song, nor ever can those trees be bare;
      Bold Lover, never, never canst thou kiss,
   Though winning near the goal---yet, do not grieve;
      She cannot fade, though thou hast not thy bliss
         Forever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
   Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unweari-ed,
   Forever piping songs forever new;
More happy love! more happy, happy love!
   Forever warm and still to be enjoyed,
      Forever panting, and forever young;
All breathing human passion far above,
   That leaves a heart high-sorrowful and cloyed,
      A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
   To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
   And all her silken flanks with garlands dressed?
What little town by river or sea shore,
   Or mountain-built with peaceful citadel,
      Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
   Will silent be; and not a soul to tell
      Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
   Of marble men and maidens overwrought,
With forest branches and the trodden weed;
   Thou, silent form, dost tease us out of thought
As doth eternity. Cold Pastoral!
   When old age shall this generation waste,
      Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
   "Beauty is truth, truth beauty"---that is all
      Ye know on earth, and all ye need to know.

1820


“To Autumn”

Season of mists and mellow fruitfulness,
   Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
   With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
   And fill all fruit with ripeness to the core;
      To swell the gourd, and plump the hazel shells
   With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
      For summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?
   Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
   Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
   Drows'd with the fume of poppies, while thy hook
      Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
   Steady thy laden head across a brook;
   Or by a cyder-press, with patient look,
      Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, where are they?
   Think not of them, thou hast thy music too, -
While barred clouds bloom the soft-dying day,
   And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
   Among the river sallows, borne aloft
      Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
   Hedge-crickets sing; and now with treble soft
   The red-breast whistles from a garden-croft;
      And gathering swallows twitter in the skies.

No comments:

Post a Comment