Thursday, November 30, 2017

2018 Reading List Nominations


Bible
Acts of the Apostles, AD 80-90
1 Samuel 16-31, 2 Samuel, and 1 Kings 1–2 (Story of David,)
Luke [followed by Acts in 2019] 
Maccabees I and II from the Apocrypha
Nehemiah (Story of return from Babylonian captivity) (Book of Ezra too?)

Shakespeare
Richard II, 1595

Drama: (not one of our categories) (maybe a substitute for Shakespeare?)
Tartuffe, by Moliere,1664, 164 pages

Woman Author
**The Pillow Book, by Sei Shōnagon, AD 1002, 172 pages
The Golden Notebook, by Doris Lessing, 1962, 688 pages
The Good Earth, by Pearl Buck, 1931, 368 pages
Sense and Sensibility, by Jane Austen, 1811, 368 pages
**Their Eyes Were Watching God, by Zora Neale Hurston, 1937, 256 pages

20th Century Work
A View from the Bridge, by Arthur Miller, 1955, 112 pages
Twelve Chairs, by Ilf and Petrov, 1928, 574 pages
Herzog by Saul Bellow, 1964, 400 pages
Growth of the Soil, by Knut Hamsun, 1917, 390-416 pages
**100 Years of Solitude, by Gabriel Garcia Marques, 1967, 417 pages
The Reivers: A Reminiscence, by William Faulkner,  1962, 305 pages
Stoner, by John Edward Williams, 1965, 288 pages
Adventures of Augie March, by Saul Bellow, 1953
**Their Eyes Were Watching God, by Zora Neale Hurston, 1937, 256 pages
Go Tell It On The Mountain, by James Baldwin, 1953, 256 pages 
**The Fire Next Time, by James Baldwin, 1963, 128 pages
Man’s Search for Meaning, by Viktor Frankl, 1946, 184 pages

Long Work
Crime and Punishment, by Dostoevsky, 1866, 428-624 pages
Tristram Shandy, by Laurence Sterne, 1759-1767, 450-704 pages
Quiet Flows the Don, by Mikhail Sholokhov, 1925-1932, 1940 (availability of all three volumes?)
In Search of Lost Time, by Marcel Proust (7 vol’s, select first three volumes, see below)
• Swann’s Way, 1913, 459 pages
   • In the Shadow of Young Girls in Flower, 1919, 576 pages (a.k.a. Within a Budding Grove)
• The Guermantes Way, 1920/1921, 640 pages,
The following three books by Chinua Achebe: 576 pages total
Things Fall Apart, 1958
No Longer at Ease, 1960 
Arrow of God, 1964

Ancient Greek or Roman Work: 
Annals, by Tacitus, AD 14-68, 464 pages
Lysistrata, by Aristophanes, BC 411, 144 pages

Non-Western Work
The Home and the World, by Rabindranath Tagore, 1916, 240 pages
**The Pillow Book, by Sei Shōnagon, AD 1002, 172 pages
**Things Fall Apart, by Chinua Achebe,1958, 216 pages
Kokoro, by Natsume Soseki, 1914, 248 pages

Short Work
is 5, by e.e. cummings, 128 pages,
The Kreutzer Sonata, by Leo Tolstoy, 128 pages
**100 Selected Poems, by e.e. cummings, 121 pages
**The Fire Next Time, by James Baldwin, 1963, 128 pages
Songs from the Slums, by Kagawa Toyohiko, 1935, 96 pages
Language and Myth, by Earnst Cassier, 128 pages

Poetry:
Faust, by Johann Wolfgang Von Goethe, 488 pages
**100 Selected Poems, by e.e. cummings, 121 pages
Philip Larkin—Collected Poems, Edited by Anthony Thwaite, 1988 & 2003, 240 pages
The Lovesong of J. Alfred Proofrock, by T.S. Eliot, 1915, 

Re-reading books we have read before:
**Things Fall Apart, by Chinua Achebe, 1958, 242 pages

No Particular Category:
 White Jacket, by Herman Melville, 1850, 387 pages

Note:
** Indicates that the book is listed in two categories.

Wednesday, March 22, 2017

Song Lyrics from "John Wesley Harding" (1967, 8th Album)


List of Songs (8th Album)
Side one
1. "John Wesley Harding" 2:58
2. "As I Went Out One Morning" 2:49
3. "I Dreamed I Saw St. Augustine" 3:53
4. "All Along the Watchtower" 2:31
5. "The Ballad of Frankie Lee and Judas Priest" 5:35
6. "Drifter's Escape" 2:52
Side two
1. "Dear Landlord" 3:16
2. "I Am a Lonesome Hobo" 3:19
3. "I Pity the Poor Immigrant" 4:12
4. "The Wicked Messenger" 2:02
5. "Down Along the Cove" 2:23
6. "I'll Be Your Baby Tonight"
   
John Wesley Harding
John Wesley Harding
Was a friend to the poor
He traveled with a gun in every hand
All along this countryside
He opened a many a door
But he was never known
To hurt an honest man
It was down in Chaynee County
A time they talk about
With his lady by his side
He took a stand
And soon the situation there
Was all but straightened out
For he was always known
To lend a helping hand
All across the telegraph
His name it did resound
But no charge held against him
Could they prove
And there was no man around
Who could track or chain him down
He was never known
To make a foolish move

As I Went Out One Morning
As I went out one morning
To breathe the air around Tom Paine's
I spied the fairest damsel
That ever did walk in chains
I offer'd her my hand
She took me by the arm
I knew that very instant
She meant to do me harm
Depart from me this moment
I told her with my voice
Said she, but I don't wish to
Said I, But you have no choice
I beg you, sir, she pleaded
From the corners of her mouth
I will secretly accept you
And together we'll fly south
Just then Tom Paine, himself
Came running from across the field
Shouting at this lovely girl
And commanding her to yield
And as she was letting go her grip
Up Tom Paine did run
I'm sorry, sir, he said to me
I'm sorry for what she's done
I Dreamed I Saw St. Augustine
I dreamed I saw St. Augustine
Alive as you or me
Tearing through these quarters
In the utmost misery
With a blanket underneath his arm
And a coat of solid gold
Searching for the very souls
Whom already have been sold

“Arise, arise,” he cried so loud
In a voice without restraint
“Come out, ye gifted kings and queens
And hear my sad complaint
No martyr is among ye now
Whom you can call your own
So go on your way accordingly
But know you’re not alone”

I dreamed I saw St. Augustine
Alive with fiery breath
And I dreamed I was amongst the ones
That put him out to death
Oh, I awoke in anger
So alone and terrified
I put my fingers against the glass
And bowed my head and cried
All Along the Watchtower
There must be some way out of here
Said the joker to the thief
There's too much confusion
I can't get no relief
Businessmen, they drink my wine
Plowmen dig my earth
None of them along the line
Know what any of it is worth
No reason to get excited
The thief he kindly spoke
There are many here among us
Who feel that life is but a joke
But you and I, we've been through that
And this is not our fate
So let us not talk falsely now
The hour is getting late
All along the watchtower
Princes kept the view
While all the women came and went
Barefoot servants, too
Outside in the distance
A wildcat did growl
Two riders were approaching
The wind began to howl
The Ballad of Frankie Lee and Judas Priest
Well, Frankie Lee and Judas Priest
They were the best of friends
So when Frankie Lee needed money one day
Judas quickly pulled out a roll of ten
And placed them on a footstool
Just above the plotted plain,
Sayin', Take your pick, Frankie Boy
My loss will be your gain
Well, Frankie Lee, he sat right down
And put his fingers to his chin
But with the cold eyes of Judas on him
His head began to spin
Would ya please not stare at me like that, he said
It's just my foolish pride
But sometimes a man must be alone
And this is no place to hide
Well, Judas, he just winked and said
All right, I'll leave you here
But you'd better hurry up and choose
Which of those bills you want
Before they all disappear
I'm gonna start my pickin' right now
Just tell me where you'll be
Judas pointed down the road
And said, eternity
Eternity, said Frankie Lee
With a voice as cold as ice
That's right, said Judas Priest, eternity
Though you might call it 'Paradise
I don't call it anything
Said Frankie Lee with a smile
All right, " said Judas Priest
I'll see you after a while
Well, Frankie Lee, he sat back down
Feelin' low and mean
When just then a passing stranger
Burst upon the scene
Saying, are you Frankie Lee, the gambler
Whose father is deceased
Well, if you are
There's a fellow callin' you down the road
And they say his name is Priest
Oh, yes, he is my friend
Said Frankie Lee in fright
I do recall him very well
In fact, he just left my sight
Yes, that's the one, said the stranger
As quiet as a mouse
Well, my message is, he's down the road
Stranded in a house
Well, Frankie Lee, he panicked
He dropped everything and ran
Until he came up to the spot
Where Judas Priest did stand
What kind of house is this, he said
Where I have come to roam
It's not a house, said Judas Priest
It's not a house it's a home
Well, Frankie Lee, he trembled
He soon lost all control
Over everything which he had made
While the mission bells did toll
He just stood there staring
At that big house as bright as any sun
With four and twenty windows
And a woman's face in every one
Well, up the stairs ran Frankie Lee
With a soulful, bounding leap
And, foaming at the mouth
He began to make his midnight creep
For sixteen nights and days he raved
But on the seventeenth he burst
Into the arms of Judas Priest
Which is where he died of thirst
No one tried to say a thing
When they took him out in jest
Except, of course, the little neighbor boy
Who carried him to rest
And he just walked along, alone
With his guilt so well concealed
And muttered underneath his breath
Nothing is revealed
Well, the moral of the story
The moral of this song,
Is simply that one should never be
Where one does not belong.
So when you see your neighbor carryin' somethin'
Help him with his load
And don't go mistaking Paradise
For that home across the road
Drifter's Escape
Oh, help me in my weakness
I heard the drifter say
As they carried him from the courtroom
And were taking him away
My trip hasn't been a pleasant one
And my time it isn't long
And I still do not know
What it was that I've done wrong
Well, the judge, he cast his robe aside
A tear came to his eye
You fail to understand, he said
Why must you even try
Outside, the crowd was stirring
You could hear it from the door
Inside, the judge was stepping down
While the jury cried for more
Oh, stop that cursed jury
Cried the attendant and the nurse
The trial was bad enough
But this is ten times worse
Just then a bolt of lightning
Struck the courthouse out of shape
And while everybody knelt to pray
The drifter did escape

Dear Landlord
Dear landlord
Please don't put a price on my soul
My burden is heavy
My dreams are beyond control
When that steamboat whistle blows
I'm gonna give you all I got to give
And I do hope you receive it well
Dependin' on the way you feel that you live
Dear landlord
Please heed these words that I speak
I know you've suffered much
But in this you are not so unique
All of us, at times, we might work too hard
To have it too fast and too much
And anyone can fill his life up with things
He can see but he just cannot touch
Dear landlord
Please don't dismiss my case
I'm not about to argue
I'm not about to move to no other place
Now, each of us has his own special gift
And you know this was meant to be true
And if you don't underestimate me
I won't underestimate you
I Am a Lonesome Hobo
I am a lonesome hobo
Without family or friends
Where another man's life might begin
That's exactly where mine ends
I have tried my hand at bribery
Blackmail and deceit
And I've served time for everything
'Cept beggin' on the street
Well, once I was rather prosperous
There was nothing I did lack
I had fourteen-karat gold in my mouth
And silk upon my back
But I did not trust my brother
I carried him to blame
Which led me to my fatal doom
To wander off in shame
Kind ladies and kind gentlemen
Soon I will be gone
But let me just warn you all
Before I do pass on
Stay free from petty jealousies
Live by no man's code
And hold your judgment for yourself
Lest you wind up on this road
I Pity the Poor Immigrant
I pity the poor immigrant
Who wishes he would've stayed home
Who uses all his power to do evil
But in the end is always left so alone
That man whom with his fingers cheats
And who lies with every breath
Who passionately hates his life
And likewise, fears his death
I pity the poor immigrant
Whose strength is spent in vain
Whose heaven is like ironsides
Whose tears are like rain
Who eats but is not satisfied
Who hears but does not see
Who falls in love with wealth itself
And turns his back on me
I pity the poor immigrant
Who tramples through the mud
Who fills his mouth with laughing
And who builds his town with blood
Whose visions in the final end
Must shatter like the glass
I pity the poor immigrant
When his gladness comes to pass
The Wicked Messenger
There was a wicked messenger
From Eli he did come
With a mind that multiplied
The smallest matter
When questioned who had sent for him
He answered with his thumb
For his tongue it could not speak, but only flatter
He stayed behind the assembly hall
It was there he made his bed
Oftentimes he could be seen returning
Until one day he just appeared
With a note in his hand which read
The soles of my feet, I swear they're burning
Oh, the leaves began to fallin'
And the seas began to part
And the people that confronted him were many
And he was told but these few words
Which opened up his heart
If you cannot bring good news, then don't bring any
Down Along the Cove
Down along the cove
I spied my true love comin' my way
Down along the cove,
I spied my true love comin' my way
I say, "Lord, have mercy, mama
It sure is good to see you comin' today
Down along the cove
I spied my little bundle of joy
Down along the cove
I spied my little bundle of joy
She said, "Lord, have mercy, honey
I'm so glad you're my boy
Down along the cove
We walked together hand in hand
Down along the cove
We walked together hand in hand
Everybody watchin' us go by
Knows we're in love, yes, and they understand
I'll Be Your Baby Tonight
Close your eyes, close the door
You don't have to worry any more
I'll be your baby tonight
Shut the light, shut the shade
You don't have to be afraid
I'll be your baby tonight
Well, that mockingbird's gonna sail away
We're gonna forget it
That big, fat moon is gonna shine like a spoon
But we're gonna let it
You won't regret it
Kick your shoes off, do not fear
Bring that bottle over here
I'll be your baby tonight

Song Lyrics from "Blonde on Blonde" (1966, 7th Album)


 List of Song Lyrics (7th Album)
Side one
1. "Rainy Day Women #12 & 35" 4:36
2. "Pledging My Time" 3:50
3. "Visions of Johanna" 7:33
4. "One of Us Must Know (Sooner or Later)" 4:54
Side two
1. "I Want You" 3:07
2. "Stuck Inside of Mobile with the Memphis Blues Again" 7:05
3. "Leopard-Skin Pill-Box Hat" 3:58
4. "Just Like a Woman" 4:52
Side three
1. "Most Likely You Go Your Way and I'll Go Mine" 3:30
2. "Temporary Like Achilles" 5:02
3. "Absolutely Sweet Marie" 4:57
4. "4th Time Around" 4:35
5. "Obviously 5 Believers" 3:35
Side four
1. "Sad Eyed Lady of the Lowlands"

Rainy Day Women #12 & 35
Well, they'll stone you when you're trying to be so good
They'll stone you just like they said they would
They'll stone you when you're trying to go home
And they'll stone you when you're there all alone
But I would not feel so all alone
Everybody must get stoned
Well, they'll stone you when you're walking on the street
They'll stone you when you're tryin' to keep your seat
They'll stone you when you're walkin' on the floor
They'll stone you when you're walkin' to the door
But I would not feel so all alone
Everybody must get stoned
They'll stone you when you're at the breakfast table
They'll stone you when you are young and able
They'll stone you when you're tryin' to make a buck
Then they'll stone you and then they'll say "good luck"
Tell ya what, I would not feel so all alone
Everybody must get stoned
Well, they’ll stone you and say that it’s the end
Then they’ll stone you and then they’ll come back again
They’ll stone you when you’re riding in your car
They’ll stone you when you’re playing your guitar
Yes, but I would not feel so all alone
Everybody must get stoned alright
Well, they’ll stone you when you walk all alone
They’ll stone you when you are walking home
They’ll stone you and then say you are brave
They’ll stone you when you are set down in your grave
But I would not feel so all alone
Everybody must get stoned

Pledging My Time
Well, early in the mornin’
’Til late at night
I got a poison headache
But I feel all right
I’m pledging my time
To you
Hopin’ you’ll come through, too
Well, the hobo got too high
And it came down natur’lly
He stole my baby
And he wanted to steal me
But I’m pledging my time
To you
Hopin’ you’ll come through, too
Won’t you come with me, baby?
I’ll take you where you wanna go
And if it don’t work out
You’ll be the first to know
I’m pledging my time
To you
Hopin’ you’ll come through, too
Well, the room is so stuffy
I can hardly breathe
Ev’rybody’s gone but me and you
And I can’t be the last to leave
I’m pledging my time
To you
Hopin’ you’ll come through, too
Well, they sent for the ambulance
And one was sent
Somebody got lucky
But it was an accident
Now I’m pledging my time
To you
Hopin’ you’ll come through, too

Visions of Johanna
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We sit here stranded, though we're all doin' our best to deny it
And Louise holds a handful of rain, temptin' you to defy it
Lights flicker from the opposite loft
In this room the heat pipes just cough
The country music station plays soft
But there's nothing, really nothing to turn off
Just Louise and her lover so entwined
And these visions of Johanna that conquer my mind
In the empty lot where the ladies play blindman's bluff with the key chain
And the all-night girls they whisper of escapades out on the "D" train
We can hear the night watchman click his flashlight
Ask himself if it's him or them that's insane
Louise, she's all right, she's just near
She's delicate and seems like the mirror
But she just makes it all too concise and too clear
That Johanna's not here
The ghost of 'lectricity howls in the bones of her face
Where these visions of Johanna have now taken my place
Now, little boy lost, he takes himself so seriously
He brags of his misery, he likes to live dangerously
And when bringing her name up
He speaks of a farewell kiss to me
He's sure got a lotta gall to be so useless and all
Muttering small talk at the wall while I'm in the hall
How can I explain?
It's so hard to get on
And these visions of Johanna, they kept me up past the dawn
Inside the museums, infinity goes up on trial
Voices echo this is what salvation must be like after a while
But Mona Lisa musta had the highway blues
You can tell by the way she smiles
See the primitive wallflower freeze
When the jelly-faced women all sneeze
Hear the one with the mustache say, "Jeez, I can't find my knees"
Oh, jewels and binoculars hang from the head of the mule
But these visions of Johanna, they make it all seem so cruel
The peddler now speaks to the countess who's pretending to care for him
Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him"
But like Louise always says
"Ya can't look at much, can ya man?"
As she, herself, prepares for him
And Madonna, she still has not showed
We see this empty cage now corrode
Where her cape of the stage once had flowed
The fiddler, he now steps to the road
He writes ev'rything's been returned which was owed
On the back of the fish truck that loads
While my conscience explodes
The harmonicas play the skeleton keys and the rain
And these visions of Johanna are now all that remain

One of Us Must Know
I didn’t mean
To treat you so bad
You shouldn’t take it so personal
I didn’t mean
To make you so sad
You just happened to be there, that’s all
When I saw you say “goodbye” to your friend and smile
I thought that it was well understood
That you’d be comin’ back in a little while
I didn’t know that you were sayin’ “goodbye” for good
But, sooner or later, one of us must know
That you just did what you’re supposed to do
Sooner or later, one of us must know
That I really did try to get close to you
I couldn’t see
What you could show me
Your scarf had kept your mouth well hid
I couldn’t see
How you could know me
But you said you knew me and I believed you did
When you whispered in my ear
And asked me if I was leavin’ with you or her
I didn’t realize just what I did hear
I didn’t realize how young you were
But, sooner or later, one of us must know
That you're just doin' what you’re supposed to do
Sooner or later, one of us must know
That I really did try to get close to you
I couldn’t see
When it started snowin’
Your voice was all that I heard
I couldn’t see
Where we were goin’
But you said you knew an’ I took your word
And then you told me later, as I apologized
That you were just kiddin’ me, you weren’t really from the farm
An’ I told you, as you clawed out my eyes that I
Never really meant to do you any harm
But, sooner or later, one of us must know
That you just did what you’re supposed to do
Sooner or later, one of us must know
That I really did try to get close to you
I Want You
The guilty undertaker sighs
The lonesome organ grinder cries
The silver saxophones say I should refuse you
The cracked bells and washed-out horns
Blow into my face with scorn
But it’s not that way
I wasn’t born to lose you

I want you, I want you
I want you so bad
Honey, I want you

The drunken politician leaps
Upon the street where mothers weep
And the saviors who are fast asleep, they wait for you
And I wait for them to interrupt
Me drinkin’ from my broken cup
And ask me to
Open up the gate for you

I want you, I want you
I want you so bad
Honey, I want you

How all my fathers, they’ve gone down
True love they’ve been without it
But all their daughters put me down
’Cause I don’t think about it

Well, I return to the Queen of Spades
And talk with my chambermaid
She knows that I’m not afraid to look at her
She is good to me
And there’s nothing she doesn’t see
She knows where I’d like to be
But it doesn’t matter

I want you, I want you
I want you so bad
Honey, I want you

Now your dancing child with his Chinese suit
He spoke to me, I took his flute
No, I wasn’t very cute to him, was I?
But I did it, though, because he lied
Because he took you for a ride
And because time was on his side
And because I . . .

I want you, I want you
I want you so bad
Honey, I want you

Stuck Inside of Mobile with the Memphis Blues Again
Oh, the ragman draws circles
Up and down the block
I’d ask him what the matter was
But I know that he don’t talk
And the ladies treat me kindly
And they furnish me with tape
But deep inside my heart
I know I can’t escape
Oh, Mama, can this really be the end
To be stuck inside of Mobile with the
Memphis blues again
Well, Shakespeare, he’s in the alley
With his pointed shoes and his bells
Speaking to some French girl
Who says she knows me well
And I would send a message
To find out if she’s talked
But the post office has been stolen
And the mailbox is locked
Oh, Mama, can this really be the end
To be stuck inside of Mobile
With the Memphis blues again
Mona tried to tell me
To stay away from the train line
She said that all the railroad men
Just drink up your blood like wine
An’ I said, “Oh, I didn’t know that
But then again, there’s only one I’ve met
An’ he just smoked my eyelids
An’ punched my cigarette”
Oh, Mama, can this really be the end
To be stuck inside of Mobile
With the Memphis blues again
Grandpa died last week
And now he’s buried in the rocks
But everybody still talks about how
Badly they were shocked
But me, I expected it to happen
I knew he’d lost control
When I speed built a fire on Main Street
And shot it full of holes
Oh, Mama, can this really be the end
To be stuck inside of Mobile
With the Memphis blues again
Now the senator came down here
Showing ev’ryone his gun
Handing out free tickets
To the wedding of his son
An’ me, I nearly got busted
An’ wouldn’t it be my luck
To get caught without a ticket
And be discovered beneath a truck
Oh, Mama, is this really be the end
To be stuck inside of Mobile
With the Memphis blues again
Now the tea preacher looked so baffled
When I asked him why he dressed
With twenty pounds of headlines
Stapled to his chest
But he cursed me when I proved it to him
Then I whispered and said, “Not even you can hide
You see, you’re just like me
I hope you’re satisfied”
Oh, Mama, can this really be the end
To be stuck inside of Mobile
With the Memphis blues again
Now the rainman gave me two cures
Then he said, “Jump right in”
The one was Texas medicine
The other was just railroad gin
An’ like a fool I mixed them
An’ it strangled up my mind
An’ now people just get uglier
An’ I have no sense of time
Oh, Mama, can this really be the end
To be stuck inside of Mobile
With the Memphis blues again
And when Ruthie says come see her
In her honky-tonk lagoon
Where I can watch her waltz for free
’neath her Panamanian moon
An’ I say, “Aw come on now
You know you knew about my debutante”
An’ she says, “Your debutante just knows what you need
But I know what you want”
Oh, Mama, can this really be the end
To be stuck inside of Mobile
With the Memphis blues again
Now the bricks lay on Grand Street
Where the neon madmen climb
They all fall there so perfectly
It all seems so well timed
An’ here I sit so patiently
Waiting to find out what price
You have to pay to get out of
Going through all these things twice
Oh, Mama, can this really be the end
To be stuck inside of Mobile
With the Memphis blues again

Leopard-Skin Pill-Box Hat
Well, I see you got your brand new leopard-skin pill-box hat
Yes, I see you got your brand new leopard-skin pill-box hat
Well, you must tell me, baby
How your head feels under somethin' like that
Under your brand new leopard-skin pill-box hat
Well, you look so pretty in it
Honey, can I jump on it sometime?
Yes, I just want to see
If it's really that expensive kind
You know it balances on your head
Just like a mattress balances on a bottle of wine
Your brand new leopard-skin pill-box hat
Well, if you want to see the sun rise
Honey, I know where
We'll go out and see it sometime
We'll both just sit there and stare
Me with my belt wrapped around my head
And you just sittin' there
In your brand new leopard-skin pill-box hat
Well, I asked the doctor if I could see you
It's bad for your health, he said
Yes, I disobeyed his orders
I came to see you
But I found him there instead
You know, I don't mind him cheatin' on me
But I sure wish he'd take that off his head
Your brand new leopard-skin pill-box hat
Well, I see you got a new boyfriend
You know, I never seen him before
Well, I saw him makin' love to you
You forgot to close the garage door
You might think he loves you for your money
But I know what he really loves you for
It's your brand new leopard-skin pill-box hat

Just Like a Woman
Nobody feels any pain
Tonight as I stand inside the rain
Ev’rybody knows
That Baby’s got new clothes
But lately I see her ribbons and her bows
Have fallen from her curls
She takes just like a woman, yes, she does
She makes love just like a woman, yes, she does
And she aches just like a woman
But she breaks just like a little girl

Queen Mary, she’s my friend
Yes, I believe I’ll go see her again
Nobody has to guess
That Baby can’t be blessed
Till she sees finally that she’s like all the rest
With her fog, her amphetamine and her pearls
She takes just like a woman, yes, she does
She makes love just like a woman, yes, she does
And she aches just like a woman
But she breaks just like a little girl

It was raining from the first
And I was dying there of thirst
So I came in here
And your long-time curse hurts
But what’s worse
Is this pain in here
I can’t stay in here
Ain’t it clear that—

I just can’t fit
Yes, I believe it’s time for us to quit
When we meet again
Introduced as friends
Please don’t let on that you knew me when
I was hungry and it was your world
Ah, you fake just like a woman, yes, you do
You make love just like a woman, yes, you do
Then you ache just like a woman
But you break just like a little girl

Most Likely You Go Your Way and I'll Go Mine
You say you love me and you're
Thinkin’ of me, but you
Know you could be wrong
You say you told me that you
Wanna hold me, but you
Know you’re not that strong
I just can’t do what I done before
I just can’t beg you anymore
I’m gonna let you pass
And I’ll go last
Then time will tell just who fell
And who’s been left behind
When you go your way and I go mine
You say you disturb me and you
Don’t deserve me but you
Know sometimes you lie
You say you’re shakin’ and you're
Always achin’, but you
Know how hard you try
Sometimes it gets so hard to care
It can’t be this way ev’rywhere
And I’m gonna let you pass
Yes, and I’ll go last
Then time will tell who has fell
And who’s been left behind
When you go your way and I go mine
Well and , the judge, he holds a grudge
He’s gonna call on you
But he’s badly built and he walks on stilts
Watch out he don’t fall on you
You say you’re sorry for
Tellin’ stories that you
Know I believe are true
You say ya got some otha
Kinda lover and yes, I believe you do
You say my kisses are not like his
But this time I’m not gonna tell you why that is
I’m just gonna let you pass
Yes, and I’ll go last
Then time will tell who has fell
And who’s been left behind
When you go your way and I go mine

Temporary Like Achilles
Standing on your window, honey
Yes, I’ve been here before
Feeling so harmless, I’m looking at your second door
How come you don’t send me no regards?
You know I want your lovin’
Honey, why are you so hard?
Kneeling ’neath your ceiling
Yes, I guess I’ll be here for a while
I’m tryin’ to read your portrait
But i’m helpless, like a rich man’s child
How come you send someone out to have me barred?
You know I want your lovin’
Honey, why are you so hard?
Like a poor fool in his prime
Yes, I know you can hear me walk
But is your heart made out of stone, or is it lime
Or is it just solid rock?
Well, I lean into your hallway
Lean against your velvet door
I watch upon your scorpion
Who crawls across your circus floor
Just what do you think you have to guard?
You know I want your lovin’
Honey, but you’re so hard
Achilles is in your alleyway
He don’t want me here, he does brag
He’s pointing to the sky
And he’s hungry, like a man in drag
How come you get someone like him to be your guard?
You know I want your lovin’
Honey, but you’re so hard

Absolutely Sweet Marie
Well, your railroad gate
You know I just can’t jump it
Sometimes it gets so hard, you see
I’m just sitting here beating on my trumpet
With all these promises you left for me
But where are you tonight, sweet Marie?
Well, I waited for you when I was half sick
Yes, I waited for you when you hated me
Well, I waited for you inside of the frozen traffic
When you knew I had some other place to be
Now, where are you tonight, sweet Marie?
Well, anybody can be just like me, obviously
But then, now again, not too many can be like you, fortunately
Well, six white horses that you did promise
Were fin’lly delivered down to the penitentiary
But to live outside the law, you must be honest
I know you always say that you agree
Alright so where are you tonight, sweet Marie?
Well, I don’t know how it happened, but the
Riverboat captain, he knows my fate
But ev’rybody else, even yourself
They’re just gonna have to wait
Well, I got the fever down in my pockets
The Persian drunkard, he follows me
Yes, I can take him to your house but I can’t unlock it
You see, you forgot to leave me with the key
Oh, where are you tonight, sweet Marie?
Well now, I been in jail when all my mail showed
That a man can’t give his address out to bad company
And now I stand here lookin’ at your yellow railroad
In the ruins of your balcony
Wond’ring where you are tonight, sweet Marie
4th Time Around
When she said, "Don't waste your words, they're just lies, "
I cried she was deaf.
And she worked on my face until breaking my eyes,
Then said, "What else you got left?"
It was then that I got up to leave
But she said, "Don't forget,
Everybody must give something back
For something they get."
I stood there and hummed,
I tapped on her drum
I asked her how come.
And she buttoned her boot,
And straightened her suit,
Then she said, "Don't get cute."
So I forced my hands in my pockets
And felt with my thumbs,
And gallantly handed her
My very last piece of gum.
She threw me outside,
I stood in the dirt where everyone walked.
And after finding I'd forgotten my shirt,
I went back and knocked.
I waited in the hallway, she went to get it,
And I tried to make sense
Out of that picture of you in your wheelchair
That leaned up against
Her Jamaican rum
And when she did come, I asked her for some.
She said, "No, dear."
I said, "Your words aren't clear,
You'd better spit out your gum."
She screamed till her face got so red,
Then she fell on the floor,
And I covered her up and then
Thought I'd go look through her drawer.
And when I was through
I filled up my shoe and brought it to you.
And you, you took me in,
You loved me then, you never wasted time.
And I, I never took much,
I never asked for your crutch
And I don't ask for mine.

Obviously 5 Believers
Early in the mornin'
Early in the mornin'
I'm callin' you to
I'm callin' you to
Please come home
Yes, I guess I could make it without you
If I just didn't feel so all alone
Don't let me down
Don't let me down
I won't let you down
I won't let you down
No I won't
You know I can if you can, honey
But, honey, please don't
I got my black dog barkin'
Black dog barkin'
Yes it is now
Yes it is
Outside my yard
Yes, I could tell you what he means
If I just didn't have to try so hard
Your mama's workin'
Your mama's moanin'
She's cryin' you know
She's tryin' you know
You better go now
Well, I'd tell you what she wants
But I just don't know how
Fifteen jugglers
Fifteen jugglers
Five believers
Five believers
All dressed like men
Tell yo' mama not to worry because, yes
They're just my friends
Early in the mornin'
Early in the mornin'
I'm callin' you to
I'm callin' you to
Please come home
Yes, I could make it without you, honey
If I just did not feel so all alone

Sad Eyed Lady of the Lowlands
With your mercury mouth in the missionary times,
And your eyes like smoke and your prayers like rhymes,
And your silver cross, and your voice like chimes,
Oh, do they think could bury you?
With your pockets well protected at last,
And your streetcar visions which you place on the grass,
And your flesh like silk, and your face like glass,
Who could they get to carry you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I put them by your gate,
Or, sad-eyed lady, should I wait?
With your sheets like metal and your belt like lace,
And your deck of cards missing the jack and the ace,
And your basement clothes and your hollow face,
Who among them can think he could outguess you?
With your silhouette when the sunlight dims
Into your eyes where the moonlight swims,
And your match-book songs and your gypsy hymns,
Who among them would try to impress you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I put them by your gate,
Or, sad-eyed lady, should I wait?
The kings of Tyrus with their convict list
Are waiting in line for their geranium kiss,
And you wouldn't know it would happen like this,
But who among them really wants just to kiss you?
With your childhood flames on your midnight rug,
And your Spanish manners and your mother's drugs,
And your cowboy mouth and your curfew plugs,
Who among them do you think could resist you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?
Oh, the farmers and the businessmen, they all did decide
To show you the dead angels that they used to hide.
But why did they pick you to sympathize with their side?
Oh, how could they ever mistake you?
They wished you'd accepted the blame for the farm,
But with the sea at your feet and the phony false alarm,
And with the child of a hoodlum wrapped up in your arms,
How could they ever, ever persuade you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?
With your sheet-metal memory of Cannery Row,
And your magazine-husband who one day just had to go,
And your gentleness now, which you just can't help but show,
Who among them do you think would employ you?
Now you stand with your thief, you're on his parole
With your holy medallion which your fingertips fold,
And your saintlike face and your ghostlike soul,
Oh, who among them do you think could destroy you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?