Great Poems KC

QUIZ: NAME THE QUOTED POET

2011-04-02T10:15:00.000-07:00

Name the quoted poet:
Batter my heart, three-personed God; for, you  As yet but knock, breathe, shine, and seek to mend;  That I may rise, and stand, o'erthrow me, and bend  Your force to break, blow, burn, and make me new.

Multiple Choice:
1. Adrienne Rich
2. John Donne
3. Algernon Charles Swinburne
4. Gerard Manley Hopkins
5. Camille Paglia

Answer:
2. John Donne <<<< Batter my heart, three person'd God; for, you"
__________

Name the quoted poet:
"What immortal hand or eye, / Could frame thy fearful symmetry?"

Multiple Choice:
1. Maya Angelou
2. William Shakespeare
3. William Blake
4. Gerard Manley Hopkins

Answer:
3. William Blake <<< The Tyger
__________

Name the quoted poet:
"Bare ruin'd choirs where late the sweet birds sang."

Multiple Choice:
1. William Blake
2. Percy Bysshe Shelley
3. John Keats
4. William Shakespeare

Answer:
4. William Shakespeare <<< SONNET 73
__________

Name the quoted poet:
"I fall upon the thorns of life! I bleed!"

Multiple Choice:
1. Percy Bysshe Shelley
2. John Keats
3. Lord Byron
4. Samuel Taylor Coleridge

Answer:
1. Percy Bysshe Shelley <<< Ode to the West Wind
__________

Name the quoted poet:
"I caught this morning morning's minion."

Multiple Choice:
1. Alfred, Lord Tennyson
2. Algernon Charles Swinburne
3. Gerard Manley Hopkins
4. John Greenleaf Whittier

Answer:
3. Gerard Manley Hopkins << The Windhover
__________

Name the quoted poet:
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be.

Multiple Choice:
1. Wallace Stevens
2. Ezra Pound
3. Wallace Stevens
4. William Butler Yeats
5. Thomas Stearns Eliot

Answer:
1.Wallace Stevens <<< Sunday Morning
__________

Name the quoted poet:
"I could not love thee, Dear, so much, / Loved I not Honour more."

Multiple Choice:
1. Richard Lovelace
2. Christopher Marlowe
3. Sir John Suckling
4. Andrew Marvell

Answer:
1. Richard Lovelace <<< To Lucasta, Going to the Wars
__________

Name the quoted poet:
"Notice Neptune though, / Taming a sea horse."

Multiple Choice:
1. Edgar Allan Poe
2. Robert Browning
3. Alfred, Lord Tennyson
4. Matthew Arnold

Answer:
2. Robert Browning <<< My Last Duchess
__________

Name the quoted poet:
"His truth is marching on."

Multiple Choice:
1. Katharine Eliska Kimbriel
2. Harriet Beecher Stowe
3. Julia Ward Howe
4. Christina Georgina Rossetti

Answer:
2. Harriet Beecher Stowe <<< Battle Hymn of the Republic
__________

Name the quoted poet:
Mere anarchy is loosed upon the world

Multiple Choice:
1. William Butler Yeats
2. Thomas Hardy
3. T.S. Eliot
4. W.B. Yeats

Answer:
1. William Butler Yeats <<< The Second Coming
_________

Name the quoted poet:
"I grow old ... I grow old ... / I shall wear the bottoms of my trousers rolled."

Multiple Choice:
1. T.S. Eliot
2. W.B. Yeats
3. A.E. Housman
4. Wallace Stevens

Answer:
2. T.S. Eliot <<< The Love Song of J. Alfred Prufrock
_________

Name the quoted poet:
They also serve who only stand and wait."

Multiple Choice:
1. John Milton
2. William Shakespeare
3. Edmund Spenser
4. John Donne

Answer:
1. John Milton <<< On His Blindness

_________

Name the quoted poet:
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
Beauty is truth, truth beauty,that is all
Ye know on earth, and all ye need to know.

Multiple Choice:
1. John Keats
2. George Gordon Byron
3. Percy Bysshe Shelley
4. William Wordsworth

Answer:
1. John Keats. Ode on a Grecian Urn
_________

Name the quoted poet:
"To strive, to seek, to find, and not to yield."

Multiple Choice:
1. Walt Whitman
2. Henry Wadsworth Longfellow
3. George Gordon Byron
4. Alfred Lord Tennyson

Answer:
4. Alfred, Lord Tennyson <<< Ulysses
__________

Name the quoted poet:
By the rude bridge that arched the flood,
Their flag to April's breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.

Multiple Choice:
1. Walt Whitman
2. Henry Wadsworth Longfellow
3. Ralph Waldo Emerson
4. John Greenleaf Whittier

Answer:
3. Ralph Waldo Emerson. <<< Concord Hymn
__________

Name the quoted poet:
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

Multiple Choice:
1. Wilfred Owen
2. Ezra Pound
3. Hart Crane
4. Matthew Arnold

Answer:
4. Matthew Arnold <<< "Dover Beach"
_________

Name the quoted poet:
This is the lower sling swivel. And this
Is the upper sling swivel, whose use you will see,
When you are given your slings. And this is the piling swivel,
Which in your case you have not got.

Multiple Choice:
1. Wilfred Owen
2. Theodore Roethke
3. Henry Reed
4. Richard Eberhardt

Answer:
3. Henry Reed <<< Naming of Parts
_________

Name the quoted poet:
"And not waving but drowning."

Multiple Choice:
1. Sylvia Plath
2. Elizabeth Bishop
3. Marianne Moore
4. Stevie Smith

Answer:
4. Stevie Smith <<< Not Waving But Drowning
_________

Name the quoted poet:
"My soul has grown deep like rivers."

Multiple Choice:
1. Langston Hughes
2. Allen Ginsberg
3. Robinson Jeffers
4. David Herbert Lawrence

Answer:
1. Langston Hughes The Negro Speaks of Rivers
__________

Name the quoted poet:
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Multiple Choice:
1. Samuel Taylor Coleridge
2. Lewis Carroll
3. Edgar Allan Poe
4. William Blake

Answer:
1. Samuel Taylor Coleridge <<< Kubla Khan
_________

Name the quoted poet:
"Stone walls do not a prison make, / Nor iron bars a cage."

Multiple Choice:
1. Richard LoveLace To Althea, From Prison:
2. William Shakespeare
3. Andrew Marvell
4. John Dryden

Answer:
1. Richard LoveLace <<< To Althea, From Prison

Sir Philip Sidney (1554-1586)

2010-09-28T13:20:00.000-07:00

Astrophel and Stella

I

Louing in trueth, and fayne in verse my loue to show,
That she, deare Shee, might take som pleasure of my paine,
Pleasure might cause her reade, reading might make her know,
Knowledge might pittie winne, and pity grace obtaine,
   I sought fit wordes to paint the blackest face of woe;
Studying inuentions fine, her wits to entertaine,
Oft turning others leaues, to see if thence would flow
Some fresh and fruitfull showers vpon my sun-burnd brain.
   But words came halting forth, wanting Inuentions stay;
Inuention, Natures childe, fledde step-dame Studies blowes;
And others feet still seemde but strangers in my way.
Thus, great with childe to speak, and helplesse in my throwes,
   Biting my trewand pen, beating myselfe for spite,
   Fool, said my Muse to me, looke in thy heart, and write.

II

Not at the first sight, nor with a dribbed shot,
   Loue gaue the wound, which, while I breathe, will bleede;
   But knowne worth did in tract of time proceed,
Till by degrees, it had full conquest got.
I saw and lik'd; I lik'd but loued not;
   I lou'd, but straight did not what Loue decreed:
   At length, to Loues decrees I, forc'd, agreed,
Yet with repining at so partiall lot.
   Now, euen that footstep of lost libertie
Is gone; and now, like slaue-borne Muscouite,
I call it praise to suffer tyrannie;
And nowe imploy the remnant of my wit
   To make myselfe beleeue that all is well,
   While, with a feeling skill, I paint my hell.

VI

Some louers speake, when they their Muses entertaine,
Of hopes begot by feare, of wot not what desires,
Of force of heau'nly beames infusing hellish paine,
Of liuing deaths, dere wounds, faire storms, and freesing fires:
   Some one his song in Ioue and Ioues strange tales attires,
Bordred with buls and swans, powdred with golden raine:
Another, humbler wit, to shepherds pipe retires,
Yet hiding royall bloud full oft in rurall vaine.
   To some a sweetest plaint a sweetest stile affords:
   While teares poure out his inke, and sighes breathe out his words,
His paper pale despaire, and pain his pen doth moue.
   I can speake what I feele, and feele as much as they,
   But thinke that all the map of my state I display
When trembling voyce brings forth, that I do Stella loue.

XX

Fly, fly, my friends; I haue my deaths wound, fly;
See there that Boy, that murthring Boy I say,
Who like a theefe hid in dark bush doth ly,
Till bloudy bullet get him wrongfull pray.
   So, tyran he no fitter place could spie,
Nor so faire leuell in so secret stay,
As that sweet black which veils the heau'nly eye;
There with his shot himself he close doth lay.
   Poore passenger, pass now thereby I did,
And staid, pleas'd with the prospect of the place,
While that black hue from me the the bad guest hid:
But straight I saw the motions of lightning grace,
   And then descried the glistrings of his dart:
   But ere I could flie thence, it pierc'd my heart.

XXVIII

You that with Allegories curious frame
   Of others children changelings vse to make,
   With me those pains, for Gods sake, do not take:
I list not dig so deep for brazen fame,
When I say Stella I do meane the same
   Princesse of beauty for whose only sake
   The raines of Loue I loue, though neuer slake,
And ioy therein, though nations count it shame.
   I beg no subiect to vse eloquence,
Nor in hid wayes to guide philosophy:
Looke at my hands for no such quintessence;
But know that I in pure simplicitie
   Breathe out the flames which burn within my heart,
   Loue onely reading vnto me this arte.

XXXI

With how sad steps, O Moone, thou climbst the skies!
   How silently, and with how wanne a face!
   What, may it be that euen in heau'nly place
That busie archer his sharpe arrowes tries?
Sure, if that long-with-loue-acquainted eyes
   Can iudge of loue, thou feel'st a louers case,
   I reade it in thy lookes: thy languist grace,
To me that feele the like, thy state discries.
   Then, eu'n of fellowship, O Moone, tell me,
Is constant loue deem'd there but want of wit?
Are beauties there as proud as here they be?
Do they aboue loue to be lou'd, and yet
   Those louers scorn whom that loue doth possesse?
   Do they call vertue there vngratefulnesse?

LII

A strife is growne between Vertue and Loue,
   While each pretends that Stella must be his:
   Her eyes, her lips, her all, saith Loue, do this,
Since they do weare his badge, most firmly proue.
But Virtue thus that title doth disproue,
   That Stella (O dear name!) that Stella is
   That vertuous soule, sure heire of heau'nly blisse.
Not this faire outside, which our heart doth moue.
   And therefore, though her beautie and her grace
Be Loues indeed, in Stellas selfe he may
By no pretence claime any manner place.
Well, Loue, since this demurre our sute doth stay,
   Let Vertue haue that Stellaes selfe, yet thus,
   That Vertue but that body graunt to vs.

LXXI

Who will in fairest booke of Nature know
   How vertue may best lodg'd in Beautie be,
   Let him but learne of Loue to reade in thee,
Stella, those faire lines which true goodnesse show.
There shall he find all vices ouerthrow,
   Not by rude force, but sweetest soueraigntie
   Of reason, from whose light those night-birds flie,
That inward sunne in thine eyes shineth so.
   And, not content to be Perfections heire
Thy selfe, doest striue all minds that way to moue,
Who marke in thee what is in thee most faire:
So while thy beautie drawes the heart to loue,
   As fast thy vertue bends that loue to good:
   But, ah, Desire still cries, Giue me some food.

LXXII

Desire, though thou my old companion art,
   And oft so clings to my pure loue that I
   One from the other scarcely can discrie,
While each doth blowe the fier of my hart;
Now from thy fellowship I needs must part;
   Venus is taught with Dians wings to flie;
   I must no more in thy sweet passions lie;
Vertues gold must now head my Cupids dart.
   Seruice and honour, wonder with delight,
Feare to offend, will worthie to appeare,
Care shining in mine eyes, faith in my sprite;
These things are left me by my onely Deare:
   But thou, Desire, because thou wouldst haue all,
   Now banisht art; but yet, alas, how shall?

LXXIV

I neuer dranke of Aganippe well,
Nor euer did in shade of Tempe sit,
And Muses scorne with vulgar brains to dwell;
Poore Layman I, for sacred rites vnfit.
   Some doe I heare of Poets fury tell,
But, God wot, wot not what they meane by it;
And this I sweare by blackest brooke of hell,
I am no pick-purse of anothers wit.
   How falles it then, that with so smooth an ease
My thoughts I speake; and what I speake doth flow
In verse, and that my verse best wits doth please?
Ghesse we the cause? What, is it this? Fie, no.
   Or so? Much lesse. How then? Sure thus it is,
   My lips are sweet, inspir'd with Stellas kisse.

CVIII

When Sorrow (vsing mine owne fiers might)
   Melts downe his lead into my boyling brest
   Through that darke furnace to my hart opprest,
There shines a ioy from thee my only light:
But soone as thought of thee breeds my delight,
   And my yong soule flutters to thee his nest,
   Most rude Despaire, my daily vnbidden guest,
Clips streight my wings, streight wraps me in his night,
   And makes me then bow downe my heade, and say,
Ah, what doth Phoebus gold that wretch auaile
Whom Iron doores doe keepe from vse of day?
So strangely (alas) thy works on me preuaile,
   That in my woes for thee thou art my ioy,
   And in my ioyes for thee my onely annoy.

John Donne (1572-1631)

2010-09-28T13:15:00.000-07:00

THE FLEA.
by John Donne

MARK but this flea, and mark in this,
How little that which thou deniest me is ;
It suck'd me first, and now sucks thee,
And in this flea our two bloods mingled be.
Thou know'st that this cannot be said
   A sin, nor shame, nor loss of maidenhead ;
   Yet this enjoys before it woo,
   And pamper'd swells with one blood made of two ;
   And this, alas ! is more than we would do.

O stay, three lives in one flea spare,
Where we almost, yea, more than married are.
This flea is you and I, and this
Our marriage bed, and marriage temple is.
Though parents grudge, and you, we're met,
And cloister'd in these living walls of jet.
   Though use make you apt to kill me,
   Let not to that self-murder added be,
   And sacrilege, three sins in killing three.

Cruel and sudden, hast thou since
Purpled thy nail in blood of innocence?
Wherein could this flea guilty be,
Except in that drop which it suck'd from thee?
Yet thou triumph'st, and say'st that thou
Find'st not thyself nor me the weaker now.
   'Tis true ; then learn how false fears be ;
   Just so much honour, when thou yield'st to me,
   Will waste, as this flea's death took life from thee.

THE INDIFFERENT.
by John Donne

I CAN love both fair and brown ;
Her whom abundance melts, and her whom want betrays ;
Her who loves loneness best, and her who masks and plays ;
Her whom the country form'd, and whom the town ;
Her who believes, and her who tries ;
Her who still weeps with spongy eyes,
And her who is dry cork, and never cries.
I can love her, and her, and you, and you ;
I can love any, so she be not true.

Will no other vice content you ?
Will it not serve your turn to do as did your mothers ?
Or have you all old vices spent, and now would find out others ?
Or doth a fear that men are true torment you ?
O we are not, be not you so ;
Let me—and do you—twenty know ;
Rob me, but bind me not, and let me go.
Must I, who came to travel thorough you,
Grow your fix'd subject, because you are true ?

Venus heard me sigh this song ;
And by love's sweetest part, variety, she swore,
She heard not this till now ; and that it should be so no more.
She went, examined, and return'd ere long,
And said, "Alas ! some two or three
Poor heretics in love there be,
Which think to stablish dangerous constancy.
But I have told them, 'Since you will be true,
You shall be true to them who're false to you.' "

THE CANONIZATION.
by John Donne

FOR God's sake hold your tongue, and let me love ;
   Or chide my palsy, or my gout ;
My five gray hairs, or ruin'd fortune flout ;
   With wealth your state, your mind with arts improve ;
      Take you a course, get you a place,
      Observe his Honour, or his Grace ;
Or the king's real, or his stamp'd face
   Contemplate ; what you will, approve,
   So you will let me love.

Alas ! alas ! who's injured by my love?
   What merchant's ships have my sighs drown'd?
Who says my tears have overflow'd his ground?
   When did my colds a forward spring remove?
      When did the heats which my veins fill
      Add one more to the plaguy bill?
Soldiers find wars, and lawyers find out still
   Litigious men, which quarrels move,
   Though she and I do love.

Call's what you will, we are made such by love ;
   Call her one, me another fly,
We're tapers too, and at our own cost die,
   And we in us find th' eagle and the dove.
      The phoenix riddle hath more wit
      By us ; we two being one, are it ;
So, to one neutral thing both sexes fit.
   We die and rise the same, and prove
   Mysterious by this love.

We can die by it, if not live by love,
   And if unfit for tomb or hearse
Our legend be, it will be fit for verse ;
   And if no piece of chronicle we prove,
      We'll build in sonnets pretty rooms ;
      As well a well-wrought urn becomes
The greatest ashes, as half-acre tombs,
   And by these hymns, all shall approve
   Us canonized for love ;

And thus invoke us, "You, whom reverend love
   Made one another's hermitage ;
You, to whom love was peace, that now is rage ;
   Who did the whole world's soul contract, and drove
      Into the glasses of your eyes ;
      (So made such mirrors, and such spies,
That they did all to you epitomize)
   Countries, towns, courts beg from above
   A pattern of your love."

A VALEDICTION FORBIDDING MOURNING.
by John Donne

As virtuous men pass mildly away,
   And whisper to their souls to go,
Whilst some of their sad friends do say,
   "Now his breath goes," and some say, "No."

So let us melt, and make no noise,
   No tear-floods, nor sigh-tempests move ;
'Twere profanation of our joys
   To tell the laity our love.

Moving of th' earth brings harms and fears ;
   Men reckon what it did, and meant ;
But trepidation of the spheres,
   Though greater far, is innocent.

Dull sublunary lovers' love
   —Whose soul is sense—cannot admit
Of absence, 'cause it doth remove
   The thing which elemented it.

But we by a love so much refined,
   That ourselves know not what it is,
Inter-assurèd of the mind,
   Care less, eyes, lips and hands to miss.

Our two souls therefore, which are one,
   Though I must go, endure not yet
A breach, but an expansion,
   Like gold to aery thinness beat.

If they be two, they are two so
   As stiff twin compasses are two ;
Thy soul, the fix'd foot, makes no show
   To move, but doth, if th' other do.

And though it in the centre sit,
   Yet, when the other far doth roam,
It leans, and hearkens after it,
   And grows erect, as that comes home.

Such wilt thou be to me, who must,
   Like th' other foot, obliquely run ;
Thy firmness makes my circle just,
   And makes me end where I begun.

THE ECSTACY.
by John Donne

WHERE, like a pillow on a bed,
   A pregnant bank swell'd up, to rest
The violet's reclining head,
   Sat we two, one another's best.

Our hands were firmly cemented
By a fast balm, which thence did spring ;
Our eye-beams twisted, and did thread
Our eyes upon one double string.

So to engraft our hands, as yet
Was all the means to make us one ;
And pictures in our eyes to get
Was all our propagation.

As, 'twixt two equal armies, Fate
Suspends uncertain victory,
Our souls—which to advance their state,
Were gone out—hung 'twixt her and me.

And whilst our souls negotiate there,
We like sepulchral statues lay ;
All day, the same our postures were,
And we said nothing, all the day.

If any, so by love refined,
That he soul's language understood,
And by good love were grown all mind,
Within convenient distance stood,

He—though he knew not which soul spake,
Because both meant, both spake the same—
Might thence a new concoction take,
And part far purer than he came.

This ecstasy doth unperplex
(We said) and tell us what we love ;
We see by this, it was not sex ;
We see, we saw not, what did move :

But as all several souls contain
Mixture of things they know not what,
Love these mix'd souls doth mix again,
And makes both one, each this, and that.

A single violet transplant,
The strength, the colour, and the size—
All which before was poor and scant—
Redoubles still, and multiplies.

When love with one another so
Interanimates two souls,
That abler soul, which thence doth flow,
Defects of loneliness controls.

We then, who are this new soul, know,
Of what we are composed, and made,
For th' atomies of which we grow
Are souls, whom no change can invade.

But, O alas ! so long, so far,
Our bodies why do we forbear?
They are ours, though not we ; we are
Th' intelligences, they the spheres.

We owe them thanks, because they thus
Did us, to us, at first convey,
Yielded their senses' force to us,
Nor are dross to us, but allay.

On man heaven's influence works not so,
But that it first imprints the air ;
For soul into the soul may flow,
Though it to body first repair.

As our blood labours to beget
Spirits, as like souls as it can ;
Because such fingers need to knit
That subtle knot, which makes us man ;

So must pure lovers' souls descend
To affections, and to faculties,
Which sense may reach and apprehend,
Else a great prince in prison lies.

To our bodies turn we then, that so
Weak men on love reveal'd may look ;
Love's mysteries in souls do grow,
But yet the body is his book.

And if some lover, such as we,
Have heard this dialogue of one,
Let him still mark us, he shall see
Small change when we're to bodies gone.

Elegy XVI: On His Mistress

By our first strange and fatal interview,
By all desires which thereof did ensue,
By our long starving hopes, by that remorse
Which my words' masculine persuasive force
Begot in thee, and by the memory
Of hurts, which spies and rivals threatened me,
I calmly beg: but by thy father's wrath,
By all pains, which want and divorcement hath,
I conjure thee, and all the oaths which I
And thou have sworn to seal joint constancy,
Here I unswear, and overswear them thus,
Thou shalt not love by ways so dangerous.
Temper, O fair Love, love's impetuous rage,
Be my true Mistress still, not my feigned Page;
I'll go, and, by thy kind leave, leave behind
Thee, only worthy to nurse in my mind
Thirst to come back; O if thou die before,
My soul from other lands to thee shall soar.
Thy (else Almighty) beauty cannot move
Rage from the Seas, nor thy love teach them love,
Nor tame wild Boreas' harshness; thou hast read
How roughly he in pieces shivered
Fair Orithea, wbom he swore he loved.
Fall ill or good, 'tis madness to have proved
Dangers unurged; feed on this flattery,
That absent Lovers one in th' other be.
Dissemble nothing, not a boy, nor change
Thy body's habit, nor mind's; be not strange
To thyself only; all will spy in thy face
A blushing womanly discovering grace;
Ricbly clothed Apes are called Apes, and as soon
Eclipsed as bright we call the Moon the Moon.
Men of France, changeable chameleons,
Spitals of diseases, shops of fashions,
Love's fuellers, and the rightest company
Of Players, which upon the world's stage be,
Will quickly know thee, and no less, alas!
Th' indifferent Italian, as we pass
His warm land, well content to think thee Page,
Will hunt thee with such lust, and hideous rage,
As Lot's fair guests were vexed. But none of these
Nor spongy hydroptic Dutch shall thee displease,
If thou stay here. O stay here, for, for thee
England is only a worthy gallery,
To walk in expectation, till from thence
Our greatest King call thee to his presence.
When I am gone, dream me some happiness,
Nor let thy looks our long-hid love confess,
Nor praise, nor dispraise me, nor bless nor curse
Openly love's force, nor in bed fright thy Nurse
With midnight's startings, crying out-oh, oh
Nurse, O my love is slain, I saw him go
O'er the white Alps alone; I saw him, I,
Assailed, fight, taken, stabbed, bleed, fall, and die.
Augur me better chance, except dread Jove
Think it enough for me t' have had thy love.

Holy Sonnets

IX

If poysonous mineralls, and if that tree,
Whose fruit threw death on else immortall us,
If lecherous goats, if serpents envious
Cannot be damn'd; Alas; why should I bee?
Why should intent or reason, borne in mee,
Make sinnes, else equall, in mee more heinous?
And mercy being easie, and glorious
To God; in his sterne wrath, why threatens hee?
But who am I , that dare dispute with thee
O God? Oh! of thine onely worthy blood,
And my teares, make a heavenly Lethean flood,
And drowne in it my sinnes black memorie;
That thou remember them, some claime as debt,
I thinke it mercy if thou wilt forget.

X

Death be not proud, though some have called thee
Mighty and dreadfull, for, thou art not soe,
For, those, whom thou think'st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill mee.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,
And poppie, or charmes can make us sleepe as well,
And better than thy stroake; why swell'st thou then?
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.

XIII

What if this present were the worlds last night?
Marke in my heart, O Soule, where thou dost dwell,
The picture of Christ crucified, and tell
Whether that countenance can thee affright,
Teares in his eyes quench the amazing light,
Blood fills his frownes, which from his pierc'd head fell.
And can that tongue adjudge thee unto hell,
Which pray'd forgiveness for his foes fierce spight?
No, no; but as in my idolatrie
I said to all my profane mistresses,
Beauty, of pitty, foulnesse onely is
A sign of rigour: so I say to thee,
To wicked spirits are horrid shapes assign'd,
This beauteous forme assures a pitious minde.

XIV

Batter my heart, three person'd God; for, you
As yet but knocke, breathe, shine, and seeke to mend,
That I may rise, and stand, o'erthrow mee, and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, to another due,
Labour to admit you, but Oh, to no end,
Reason your viceroy in mee, mee should defend,
But is captiv'd , and proves weake or untrue.
Yet dearely I love you, and would be loved faine,
But am betroth'd unto your enemie:
Divorce mee, untie, or breake that knot againe,
Take mee to you, imprison mee, for I
Except you enthrall mee, never shall be free,
Nor ever chast, except you ravish mee.

George Herbert (1593-1633)

2010-09-28T13:04:00.000-07:00

The Altar, from The Temple

A broken ALTAR, Lord, thy servant rears,
Made of a heart, and cemented with tears:
   Whose parts are as thy hand did frame;
   No workman's tool hath touched the same.

         A HEART alone
     Is such a stone,
     As nothing but
     Thy pow'r doth cut.
     Wherefore each part
     Of my hard heart
     Meets in this frame,
     To praise thy name.

   That if I chance to hold my peace,
   These stones to praise thee may not cease.
O let thy blessed SACRIFICE be mine,
And sanctify this ALTAR to be thine.

Easter Wings

by George Herbert

Lord, Who createdst man in wealth and store,

Though foolishly he lost the same,

Decaying more and more,

Till he became

Most poore:

With Thee

O let me rise,

As larks, harmoniously,

And sing this day Thy victories:

Then shall the fall further the flight in me.

My tender age in sorrow did beginne;

And still with sicknesses and shame

Thou didst so punish sinne,

That I became

Most thinne.

With Thee

Let me combine,

And feel this day Thy victorie;

For, if I imp my wing on Thine,

Affliction shall advance the flight in me.

LOVE (III)
by George Herbert

Love bade me welcome, yet my soul drew back,
     Guilty of dust and sin.
But quick-ey'd Love, observing me grow slack
     From my first entrance in,
Drew nearer to me, sweetly questioning
     If I lack'd anything.

"A guest," I answer'd, "worthy to be here";
     Love said, "You shall be he."
"I, the unkind, the ungrateful? ah my dear,
     I cannot look on thee."
Love took my hand and smiling did reply,
     "Who made the eyes but I?"

"Truth, Lord, but I have marr'd them; let my shame
     Go where it doth deserve."
"And know you not," says Love, "who bore the blame?"
     "My dear, then I will serve."
"You must sit down," says Love, "and taste my meat."
     So I did sit and eat.

Thomas Gray (1716-1771)

2010-09-28T12:47:00.000-07:00

"ELEGY WRITTEN IN A COUNTRY CHURCH-YARD"

The curfew tolls the knell of parting day,
   The lowing herd winds slowly o'er the lea,
The ploughman homeward plods his weary way,
   And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,
   And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
   And drowsy tinklings lull the distant folds:

Save that from yonder ivy-mantled tower
   The moping owl does to the moon complain
Of such as, wandering near her secret bower,
   Molest her ancient solitary reign.

Beneath those rugged elms, that yew-tree's shade,
   Where heaves the turf in many a mouldering heap,
Each in his narrow cell for ever laid,
   The rude Forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,
   The swallow twittering from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
   No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
   Or busy housewife ply her evening care:
No children run to lisp their sire's return,
   Or climb his knees the envied kiss to share,

Oft did the harvest to their sickle yield,
   Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
   How bow'd the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
   Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
   The short and simple annals of the Poor.

The boast of heraldry, the pomp of power,
   And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour:-
   The paths of glory lead but to the grave.

Nor you, ye Proud, impute to these the fault
   If Memory o'er their tomb no trophies raise,
Where through the long-drawn aisle and fretted vault
   The pealing anthem swells the note of praise.

Can storied urn or animated bust
   Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
   Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
   Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway'd,
   Or waked to ecstasy the living lyre:

But Knowledge to their eyes her ample page,
   Rich with the spoils of time, did ne'er unroll;
Chill Penury repress'd their noble rage,
   And froze the genial current of the soul.

Full many a gem of purest ray serene
   The dark unfathom'd caves of ocean bear:
Full many a flower is born to blush unseen,
   And waste its sweetness on the desert air.

Some village-Hampden, that with dauntless breast
   The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
   Some Cromwell, guiltless of his country's blood.

Th' applause of list'ning senates to command,
   The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
   And read their history in a nation's eyes,

Their lot forbad: nor circumscribed alone
   Their growing virtues, but their crimes confined;
Forbad to wade through slaughter to a throne,
   And shut the gates of mercy on mankind,

The struggling pangs of conscious truth to hide,
   To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
   With incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strife,
   Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
   They kept the noiseless tenour of their way.

Yet e'en these bones from insult to protect
   Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
   Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unletter'd Muse,
   The place of fame and elegy supply:
And many a holy text around she strews,
   That teach the rustic moralist to die.

For who, to dumb forgetfulness a prey,
   This pleasing anxious being e'er resign'd,
Left the warm precincts of the cheerful day,
   Nor cast one longing lingering look behind?

On some fond breast the parting soul relies,
   Some pious drops the closing eye requires;
E'en from the tomb the voice of Nature cries,
   E'en in our ashes live their wonted fires.

For thee, who, mindful of th' unhonour'd dead,
   Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
   Some kindred spirit shall inquire thy fate, --

Haply some hoary-headed swain may say,
   Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away,
   To meet the sun upon the upland lawn;

'There at the foot of yonder nodding beech
   That wreathes its old fantastic roots so high.
His listless length at noontide would he stretch,
   And pore upon the brook that babbles by.

'Hard by yon wood, now smiling as in scorn,
   Muttering his wayward fancies he would rove;
Now drooping, woeful wan, like one forlorn,
   Or crazed with care, or cross'd in hopeless love.

'One morn I miss'd him on the custom'd hill,
   Along the heath, and near his favourite tree;
Another came; nor yet beside the rill,
   Nor up the lawn, nor at the wood was he;

'The next with dirges due in sad array
   Slow through the church-way path we saw him borne,-
Approach and read (for thou canst read) the lay
   Graved on the stone beneath yon aged thorn.'

The Epitaph

Here rests his head upon the lap of Earth
   A youth to Fortune and to Fame unknown.
Fair Science frowned not on his humble birth,
   And Melacholy marked him for her own.

Large was his bounty, and his soul sincere,
   Heaven did a recompense as largely send:
He gave to Misery all he had, a tear,
   He gained from Heaven ('twas all he wish'd) a friend.

No farther seek his merits to disclose,
   Or draw his frailties from their dread abode
(There they alike in trembling hope repose),
   The bosom of his Father and his God.

William Wordsworth (1770-1850)

2010-09-28T12:14:00.000-07:00

“Tintern Abbey”

COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS OF THE WYE DURING A TOUR. JULY 13, 1798

FIVE years have past; five summers, with the length
Of five long winters! And again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
‘Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit’s cave, where by his fire
The Hermit sits alone.

   These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man’s eye:
But oft, in lonely rooms, and ‘mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration:--feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man’s life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:--that serene and blessed mood,
In which the affections gently lead us on,--
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

   If this
Be but a vain belief, yet, oh! How oft--
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,

   O sylvan Wye! Thou wanderer thro’ the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o’er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days,
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love, 80
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur, other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,--both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.

   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! Yet a little while
May I behold in thee what I was once,
My dear, dear Sister! And this prayer I make,
Knowing that Nature never did betray
The heart that loved her; ‘tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e’er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! Then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love—oh! With far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

1798.

“Composed upon Westminster Bridge, September 3, 1802”

Earth hath not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendor, valley, rock, or hill;
Ne’er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! The very houses seem asleep;
And all that mighty heart is lying still!

1807

It is a Beauteous Evening

It is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o’er the Sea;
Listen! The mighty Being is awake,
And doth with his eternal motion make
A sound like thunder—everlastingly.
Dear Child! Dear Girl! That walkest with me here,
If thou appear untouched by solemn thought,
Thy nature is not therefore less divine;
Thou liest in Abraham’s bosom all the year:
And Worship’st at the Temple’s inner shrine,
God being with thee when we know it not.

1802

Percy Bysshe Shelley (1792-1822)

2010-09-28T12:07:00.000-07:00

“Mutability”

We are as clouds that veil the midnight moon;
   How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly! -yet soon
   Night closes round, and they are lost for ever:

Or like forgotten lyres, whose dissonant strings
   Give various response to each varying blast,
To whose frail frame no second motion brings
   One mood or modulation like the last.

We rest. -A dream has power to poison sleep;
   We rise. -One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
   Embrace fond woe, or cast our cares away:

It is the same! -For, be it joy or sorrow,
   The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
   Nought may endure but Mutablilty.

“To Wordsworth”

Poet of Nature, thou hast wept to know
That things depart which never may return:
Childhood and youth, friendship, and love's first glow,
Have fled like sweet dreams, leaving thee to mourn.
These common woes I feel. One loss is mine
Which thou too feel'st, yet I alone deplore.
Thou wert as a lone star whose light did shine
On some frail bark in winter's midnight roar:
Thou hast like to a rock-built refuge stood
Above the blind and battling multitude:
In honoured poverty thy voice did weave
Songs consecrate to truth and liberty.
Deserting these, thou leavest me to grieve,
Thus having been, that thou shouldst cease to be.

“Ozymandias”

I met a traveller from an antique land
Who said:—Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

John Keats (1795-1821)

2010-09-28T11:44:00.000-07:00

“On First Looking into Chapman’s Homer”

Much have I travelled in the realms of gold,
   And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He stared at the Pacific -and all his men
Looked at each other with a wild surmise -
Silent, upon a peak in Darien.

"When I have fears that I may cease to be"
When I have fears that I may cease to be
   Before my pen has glean'd my teeming brain,
Before high piled books, in charactry,
   Hold like rich garners the full ripen'd grain;
When I behold, upon the night's starr's face,
   Huge cloudy symbols of a high romance,
And think that I may never live to trace
   Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
   That I shall never look upon thee more,
Never have relish in the fairy power
   Of unreflecting love;--then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.

Jan. 1818

“To Homer”

Standing aloof in giant ignorance,
   Of thee I hear and of the Cyclades,
As one who sits ashore and longs perchance
   To visit dolphin-coral in deep seas.
So thou wast blind;--but then the veil was rent,
   For Jove uncurtain'd Heaven to let thee live,
And Neptune made for thee a spumy tent,
   And Pan made sing for thee his forest-hive;
Aye on the shores of darkness there is light,
   And precipices show untrodden green,
There is a budding morrow in midnight,
   There is a triple sight in blindness keen;
Such seeing hadst thou, as it once befel
   To Dian, Queen of Earth, and Heaven, and Hell.

“Ode to a Nightingale”

My heart aches, and a drowsy numbness pains
   My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
   One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
   But being too happy in thine happiness,--
      That thou, light-winged Dryad of the trees
         In some melodious plot
   Of beechen green, and shadows numberless,
      Singest of summer in full-throated ease.

O, for a draught of vintage! that hath been
   Cool'd a long age in the deep-delved earth,
Tasting of Flora and the country green,
   Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
   Full of the true, the blushful Hippocrene,
      With beaded bubbles winking at the brim,
         And purple-stained mouth;
   That I might drink, and leave the world unseen,
      And with thee fade away into the forest dim:

Fade far away, dissolve, and quite forget
   What thou among the leaves hast never known,
The weariness, the fever, and the fret
   Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
   Where youth grows pale, and spectre-thin, and dies;
      Where but to think is to be full of sorrow
         And leaden-eyed despairs,
   Where Beauty cannot keep her lustrous eyes,
      Or new Love pine at them beyond to-morrow.

Away! away! for I will fly to thee,
   Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
   Though the dull brain perplexes and retards:
Already with thee! tender is the night,
   And haply the Queen-Moon is on her throne,
      Cluster'd around by all her starry Fays;
         But here there is no light,
   Save what from heaven is with the breezes blown
      Through verdurous glooms and winding mossy ways.

I cannot see what flowers are at my feet,
   Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
   Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
   White hawthorn, and the pastoral eglantine;
      Fast fading violets cover'd up in leaves;
         And mid-May's eldest child,
   The coming musk-rose, full of dewy wine,
      The murmurous haunt of flies on summer eves.

Darkling I listen; and, for many a time
   I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
   To take into the air my quiet breath;
Now more than ever seems it rich to die,
   To cease upon the midnight with no pain,
      While thou art pouring forth thy soul abroad
         In such an ecstasy!
   Still wouldst thou sing, and I have ears in vain--
      To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
   No hungry generations tread thee down;
The voice I hear this passing night was heard
   In ancient days by emperor and clown:
Perhaps the self-same song that found a path
   Through the sad heart of Ruth, when, sick for home,
      She stood in tears amid the alien corn;
         The same that oft-times hath
   Charm'd magic casements, opening on the foam
      Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell
   To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
   As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
   Past the near meadows, over the still stream,
      Up the hill-side; and now 'tis buried deep
         In the next valley-glades:
   Was it a vision, or a waking dream?
      Fled is that music:--Do I wake or sleep?

“Ode on a Grecian Urn”

Thou still unravished bride of quietness,
   Thou foster child of silence and slow time,
Sylvan historian, who canst thus express
   A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
   Of deities or mortals, or of both,
      In Tempe or the dales of Arcady?
What men or gods are these? What maidens loath?
   What mad pursuit? What struggle to escape?
      What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
   Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
   Pipe to the spirit dities of no tone.
Fair youth, beneath the trees, thou canst not leave
   Thy song, nor ever can those trees be bare;
      Bold Lover, never, never canst thou kiss,
   Though winning near the goal---yet, do not grieve;
      She cannot fade, though thou hast not thy bliss
         Forever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
   Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unweari-ed,
   Forever piping songs forever new;
More happy love! more happy, happy love!
   Forever warm and still to be enjoyed,
      Forever panting, and forever young;
All breathing human passion far above,
   That leaves a heart high-sorrowful and cloyed,
      A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
   To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
   And all her silken flanks with garlands dressed?
What little town by river or sea shore,
   Or mountain-built with peaceful citadel,
      Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
   Will silent be; and not a soul to tell
      Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
   Of marble men and maidens overwrought,
With forest branches and the trodden weed;
   Thou, silent form, dost tease us out of thought
As doth eternity. Cold Pastoral!
   When old age shall this generation waste,
      Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
   "Beauty is truth, truth beauty"---that is all
      Ye know on earth, and all ye need to know.

1820

“To Autumn”

Season of mists and mellow fruitfulness,
   Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
   With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
   And fill all fruit with ripeness to the core;
      To swell the gourd, and plump the hazel shells
   With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
      For summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?
   Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
   Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
   Drows'd with the fume of poppies, while thy hook
      Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
   Steady thy laden head across a brook;
   Or by a cyder-press, with patient look,
      Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, where are they?
   Think not of them, thou hast thy music too, -
While barred clouds bloom the soft-dying day,
   And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
   Among the river sallows, borne aloft
      Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
   Hedge-crickets sing; and now with treble soft
   The red-breast whistles from a garden-croft;
      And gathering swallows twitter in the skies.

Alfred Lord Tennyson (1809-1892)

2010-09-28T09:40:00.000-07:00

Ulysses

   It little profits that an idle king,
By this still hearth, among these barren crags,
Match'd with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
   I cannot rest from travel: I will drink
Life to the lees: all times I have enjoy'd
Greatly, have suffer'd greatly, both with those
That loved me, and alone; on shore, and when
Thro' scudding drifts the rainy Hyades
Vext the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour'd of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met; Yet all experience is an arch wherethro'
Gleams that untravell'd world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnish'd, not to shine in use!
As tho' to breathe were life. Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge, like a sinking star,
Beyond the utmost bound of human thought.

   This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle--
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro' soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

   There lies the port: the vessel puffs her sail:
There gloom the dark broad seas. My mariners,
Souls that have toil'd and wrought, and thought with me--
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads--you and I are old;
Old age hath yet his honour and his toil;
Death closes all; but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho' much is taken, much abides; and tho'
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

“The Charge of the Light Brigade”

Half a league, half a league,
Half a league onward,
All in the valley of Death
   Rode the six hundred.
"Forward, the Light Brigade!
Charge for the guns!" he said:
Into the valley of Death
   Rode the six hundred.

"Forward, the Light Brigade!"
Was there a man dismayed?
Not though the soldier knew
   Someone had blundered:
Their's not to make reply,
Their's not to reason why,
Their's but to do and die:
Into the valley of Death
   Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
   Volleyed and thundered;
Stormed at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
   Rode the six hundred.

Flashed all their sabres bare,
Flashed as they turned in air
Sabring the gunners there,
Charging an army, while
   All the world wondered:
Plunged in the battery-smoke
Right through the line they broke;
Cossack and Russian
Reeled from the sabre-stroke
   Shattered and sundered.
Then they rode back, but not,
   Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
   Volleyed and thundered;
Stormed at with shot and shell,
While horse and hero fell,
They that had fought so well
Came through the jaws of Death
Back from the mouth of Hell,
All that was left of them,
   Left of six hundred.

When can their glory fade?
O the wild charge they made!
   All the world wondered.
Honour the charge they made!
Honour the Light Brigade,
   Noble six hundred!

Robert Browning (1812-1889)

2010-09-28T09:14:00.000-07:00

“Porphyria’s Lover”
The rain set early in tonight,
   The sullen wind was soon awake,
It tore the elm-tops down for spite,
   And did its worst to vex the lake:
   I listened with heart fit to break.
When glided in Porphyria; straight
   She shut the cold out and the storm,
And kneeled and made the cheerless grate
   Blaze up, and all the cottage warm;
   Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
   And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
   And, last, she sat down by my side
   And called me. When no voice replied,
She put my arm about her waist,
   And made her smooth white shoulder bare,
And all her yellow hair displaced,
   And, stooping, made my cheek lie there,
   And spread, o'er all, her yellow hair,
Murmuring how she loved me — she
   Too weak, for all her heart's endeavor,
To set its struggling passion free
   From pride, and vainer ties dissever,
   And give herself to me forever.
But passion sometimes would prevail,
   Nor could tonight's gay feast restrain
A sudden thought of one so pale
   For love of her, and all in vain:
   So, she was come through wind and rain.
Be sure I looked up at her eyes
   Happy and proud; at last I knew
Porphyria worshiped me: surprise
   Made my heart swell, and still it grew
   While I debated what to do.
That moment she was mine, mine, fair,
   Perfectly pure and good: I found
A thing to do, and all her hair
   In one long yellow string I wound
   Three times her little throat around,
And strangled her. No pain felt she;
   I am quite sure she felt no pain.
As a shut bud that holds a bee,
   I warily oped her lids: again
   Laughed the blue eyes without a stain.
And I untightened next the tress
   About her neck; her cheek once more
Blushed bright beneath my burning kiss:
   I propped her head up as before,
   Only, this time my shoulder bore
Her head, which droops upon it still:
   The smiling rosy little head,
So glad it has its utmost will,
   That all it scorned at once is fled,
   And I, its love, am gained instead!
Porphyria's love: she guessed not how
   Her darling one wish would be heard.
   And thus we sit together now,
And all night long we have not stirred,
   And yet God has not said a word!

1836, 1842

My Last Duchess
(Ferrara)
Robert Browning

That's my last duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now; Fra Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
"Fra Pandolf" by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so not the first
Are you to turn and ask thus. Sir, 't was not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Fra Pandolf chanced to say "Her mantle laps
Over my lady's wrist too much" or "Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat:" such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart - how shall I say? - too soon made glad,
Too easily impressed: she liked whate'er
She looked on, and her looks went everywhere.
Sir, 't was all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace -all and each
Would draw from her alike the approving speech,
Or blush,at least. She thanked men - good! but thanked
Somehow - I know not how - as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. Who'd stoop to blame
This sort of trifling? Even had you skill
In speech - (which I have not) - to make your will
Quite clear to such a one, and say, "Just this
Or that in you disgusts me; here you miss
Or there exceed the mark"- and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse
- E'en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will 't please you rise? We'll meet
The company below, then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting is my object. Nay, we'll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!